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The New Real of the Unreal

A spherical picture of the earth written in code

As you may have gathered from previous posts, I am in the process of semi-rejecting The New Real of the Unreal. Artificial intelligence has arrived, and if we are not careful, then we stand to lose much, perhaps even our sanity.

For what is sanity apart from a firm connection to what is real? What is “real”, but surely that which is firmly believed to be the truth, firmly believed, that is, across the shared collective.

Of course, we can argue that our relationship with “truth” has always been fairly circumspect. Since the printing press, our “shared reality” has been a pushed reality that reflects the thoughts and observations (potentially) of a relatively small proportion of the population. Without adequate safeguards in place, if they are indeed possible, the idea of “truth” can be warped.

Which is why locality is so important. Can we really experience, or believe, truth without verification? If something is local, eg. a newspaper, then we can verify the stories with the environment to an extent. We can talk to people, we can visit localities.

And so what we find is that truth itself doesn’t travel long distances well. In fact, we are taught this from a young age through the game (rather inappropriately named) “Chinese Whispers”. Of course, not many consider the massive implications of this game, what this itself means about reality. And this is just in the physical realm. What are the implications for the digital realm?

Concentrating a little more on the physical, we could be ignorant individuals, and focus our efforts entirely within a very local sphere, but the issue with this is that we live within an interconnected world, where events in far off places can affect our little localities. We need trade, we need security, we need to look after those who are less fortunate. With this in mind, there needs to be a trust handover to those who are in control. To those who control the information.

But can we indeed trust those in control of the information? For that, we need to analyse what is valuable to those in control. This is perhaps too broad a topic to consider in this post. We could say that each individual is valued for the unique person that they are, existing in a potentially infinite universe. Could say… Or we could be a little more pessimistic, and say that each individual is really a measure of economic potential. And this is where, in our current climate, things can start to get a little tricky. Because with AI, that economic potential is starting to look like it is a lot less than it was maybe 10 years ago.

But where does this all fit in with reality? This is the area I would like to explore a little more of over the next series of posts. I’ll start by saying that the digital world seems to be morphing into a product of imagination, rather than a reflection of the real, physical world. This is a problem, because people seem to have the idea that it is the latter, taking at face value what they read and see on the internet. With the advent of AI, there will soon be literally no way to discern fact from fiction online. The technological pace is frightening. The ability to manufacture “reality” is so profound, that we must also ask ourselves some very serious questions, such as, how long has this technology really been in existence?; how much of the internet has always been fabricated?; could a technological hegemony appear, or have already been in existence for a very long time?. We can see that there are multiple avenues for “reality” and our sanities to become frayed.

As an artist (although just a photographer), I am keen to begin to explore modern reality. What I like about photography, particularly film, is that at least I can be reasonably certain (bar some metaphysical internal discussions on whether matter really exists) that I have a snapshot of what is real, through the negative. But how, as an artist, can I begin to share this reality with others? How can we prove reality? Because I think that the future is going to bring with it a need for physicality. People are going to need to hold onto a physical item in their house whilst repeating, “This is real. This is real…”. How are we going to help people stay grounded, and encourage them to embrace physicality?

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Exclusive Architecture-Inspired T-Shirts

Kalimetric Architecture T-Shirts coming soon

Launching Soon – Discover Wearable Art Like Never Before!

Introduction

Welcome to Kalimetric, where architecture meets fashion! We are thrilled to announce the upcoming launch of our exclusive architecture-inspired t-shirts, meticulously crafted by our resident artist. This unique collection blends the intricate beauty of architectural designs with the comfort and style of premium apparel, offering you wearable art that stands out in any crowd.

Why Architecture T-Shirts?

Architecture is not just about structures; it’s an art form that captures the essence of design, functionality, and aesthetics. Our architecture t-shirts are a tribute to this timeless art, transforming stunning architectural photographs and designs into fashionable, limited edition apparel. Whether you’re an architecture enthusiast, a design aficionado, or someone who appreciates unique fashion statements, our t-shirts are designed to resonate with your passion.

Meet Our Resident Artist

At the heart of our collection is Kalimetric, our talented resident artist. With a background in architectural and landscape photography, and also design, Kalimetric brings a unique perspective to each design, ensuring that every t-shirt is a masterpiece in its own right. Their dedication to capturing the finest details of architectural marvels translates into high-quality, visually stunning t-shirts that are both comfortable and stylish.

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Conclusion

At Kalimetric, we believe that fashion is an extension of your personality and passions. Our exclusive architecture t-shirts are designed to reflect the beauty and complexity of architectural art, offering you a unique way to express your love for design and aesthetics. Join our waitlist today and be among the first to experience this fusion of art and fashion.

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Munro Bagging – Stob Binnein

There is always a strange mix of trepidation and excitement before attempting to bag a munro. Unlike in some other countries, there is usually no ski lift to take you to near the top. Although, it must be said, the mountains are a little lower than, say, the Swiss Alps. Still, for a middle aged, unfit male, the thought of ascending 2000 metres can be a little daunting.

Stob Binnein is a mountain in the southern Highlands of Scotland. It is attached to Ben More, and so often, hikers will ascend both peaks. However, we were approaching from the South, a steeper, and more difficult ascent, but chosen as we could ignore Ben More. One peak was going to be enough I thought, and I was right. 

I made the ascent with a fitter, more sprightly friend, and 15 mins in, he was already waiting for me. This was going to be tough. I don’t remember much for the next hour, hour and a half, as it was all up steep incline. But finally the trail flattened out a bit, and my legs took on a renewed vigour. The landscape also changed at this point, with the grass taking on a red to mauve colouration. It was quite beautiful, and also motivating. Eventually we were taken to a crest where over the side, we could see the splendour of Loch Voil. A rewarding sight, and we stopped for a number of photos. This is what munro bagging was all about.

Further on, and we were treated to an intimidating view. The mountain began to rise once more, disappearing into billowing mist. The weather was turning up here, and I felt privileged to experience a moment that only the mountain can bring; a feeling of isolation; transportation to a more primitive time; vulnerability mixed with awe. Truly, there is nothing else like it. 

The next passage across the ridge was so pleasurable that I forgot about the incline. We peered down into valleys below, where the height was so great that rivulets and lochans formed abstract patterns on the landscape.

It was then time for the peak. The mist was great, so much so that it was impossible to see more than 5-10 metres into the distance. Mysterious shapes appeared in front, revealing themselves to be hard rock formations, springing out from the mountain. This last stretch was almost too much for me. My energy supply was depleted. However, I managed to wearily summit. Due to the mist, there was no view to speak of, but I was satisfied. I ate my lunch in silence, drained of speech as well.

The drama did not finish there though. Returning back the way we came, we lost the trail. An argument arose, probably due to our fragile states, and we made the mistake of choosing to split up. I went my way, my friend, his. My path eventually took me to a fantastic spectacle that we hadn’t seen on the way in, a tiny lochan on the mountain, with red reeds sprouting out of the surface. It was truly beautiful, hidden away off the trail, and I felt that I was seeing something that perhaps most missed, whether due to the trail being elsewhere, or indeed due to the season being wrong and missing those red reeds. It was a special moment.

My friend and I eventually reconvened, and we made our way to the car park, ready to head home, our need for high vistas satiated, until another day.